Curated by Jitka Pavlišová and Tomáš Kubart

The workshop, which will focus on decolonizing methodological approaches and strategies in contemporary dance and performance art, will span five days, with the first day divided into two working groups. The initial „East Central European Body Identities in Contemporary Dance and Performance Art“ workshop will build upon the international workshop held in Frankfurt am Main in May 2023. It will explore approaches to the (de)colonization of „marginalized“ European regions, led by Jitka Pavlišová (UP). The second workshop, „The Fascist Man: Psycho-Social Manifestations of Colonialism,“ led by Tomáš Kubart, will address the perception of colonialism in the Central European region (Austria, Germany). These two workshops will be combined on the second day.

Commencing with our inquiries, we will observe how decolonial practices manifest in academics not directly engaged in postcolonial studies. The unique position of the former Czechoslovakia, which was neither colonized nor engaged in colonization itself (except for a failed plan to colonize Togo), allows for the necessary distance to frame the question of (de)colonialism, perhaps. Austria is a similar example, but being on the ‚oap‘ side of the Iron Curtain, the approach of Austrian policymakers to the issue of decolonization differs. These questions will be explored on the second day of the joint workshop. How can the people of the Czech Republic or Austria discuss colonization without direct colonial experience? While postcolonial studies provide the necessary perspective commonly operated in Western universities, it no longer propels our work forward – precisely because these regions existed somewhere in between. We are interested in marginalized regions of post-Soviet culture and society, such as the former Czechoslovakia and East Germany, the Baltic countries, and Poland.

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Curated by Martin Bernátek

This thematic section explores the heterogeneity of working-class cultural practices and their relation to artistic avant-garde from the late 19th century to the post-WWII era, primarily but not exclusively in Central-Eastern Europe. Our ambition is to provide a platform for comparative and cross-sectional research exchange and future collaboration with an interest in foregrounding performances, theatricality, and performative modes of action as significant aspects of the constitution of workers‘ identity and avant-garde artistic tactics.

In addition to examining the collaboration between workers and avant-garde theatres, including mass gymnastics exercises, manifestations, or protests, we aim to explore these modes of action about education, political philosophy, industrial methods, sexuality, health care, and social care policies, gender divide, or religious practices in the interplay between avant-garde and working class. We welcome contributions in the form of presentations or academic papers, commentary on historical sources, as well as curatorial concepts in various states of elaboration that go beyond geographic nationalism, media specificity, and the separation of political and aesthetic aspects in studying modern societies.

We encourage everyone who uses or wants to test concepts such as staging, script, role, scenography, and atmosphere to study avant-garde and working-class relations as examples of a complex, diverse, and often contradictory process of negotiating modern transcultural identity in particular and the relationship between power and culture in general.

Contact

Martin Bernátek: martin.bernatek@upol.cz

Curated by Lukáš Kubina

Cultural performances form a rich tapestry of expressions, encompassing theatrical productions, dance, music, and various performing arts, as well as religious processions, protest marches, national holiday celebrations, sports events, and everyday interactions within theaters, work meetings, or political party gatherings. These diverse manifestations create a complex web of relationships that significantly shape our society and its self-perception.

However, when we consider the performativity of conflict, a theoretical framework becomes crucial in unveiling the dynamics at play. This perspective provides a powerful lens through which to demystify the often abstract foundations of dominant ideologies. It enables us to dissect how socio-cultural narratives evolve, exposing the strategies of those in power and illuminating the tactics employed by the marginalized.

By delving into the performative dimensions of cultural events, we transcend mere outcome analysis. Instead, we are prompted to focus on the embodied experience, the realm of affective actions, and the pivotal role that emotions play in the cultural tapestry. What emerges is a pressing question: How does the performativity of conflict shape and redefine the narrative landscape, influencing not only our understanding of culture but also the very fabric of societal relationships?

Contact

Lukáš Kubina: lukas.kubina@upol.cz

Curated by Eliška Kubartová

Within the framework of the workshop, encompassing various forms of theatrical, political, social and cultural performance, a thematic strand will be devoted to the variegated, yet somewhat understudied theme of procession as a bodily practice. Identifiable in every known culture, present and past, the semantics and functions of this cultural phenomenon are no less ingrained in its cultural contexts than its material properties,whether it concerns its spatial arrangement and choreography or visual trappings.

In this open call, researchers interested in the procession as a cultural unit, observed from diverse theoretical perspectives and in different historical periods, are invited to participate in three consecutive sessions dedicated to this topic. In these sessions, individual researchers will present their research and discuss their methodologies and findings in order to identify potential intersections and perspectives for prospective collaborative research supported by EU funding or otherwise.

Who is the curator?
Eliška Kubartová (née Poláčková), classical philologist and theatre scholar. My field of interest is the theatre and performance culture of Classical Antiquity and the Middle Ages. I have recently published a book on the performance and reception of medieval Laments of the Virgin Mary, in which I focused on the intellectual and emotional communities formed around these compositions by religious men and women a well as devout laymen, in the course of their liturgical or extraliturgical performance. Significantly with regard to the present workshop, I explored the function of movement and animateness in the creation of meaning in Marian laments as texts-as-events, particularly with regard to their instrumentality in encouraging imitation of the Virgin as a substantial spiritual praxis linked to the genre.In the forthcoming workshop, I would like to adopt the cognitive and body-based methodological approach to the research of the procession/parade as a substantial cultural medium of Antiquity/Middle Ages/Early Modern Era/Modernity/Post-(post)-modernity through a collective scholarly discussion, possibly evolving into an institutionalised project according to the preferences of the participants involved.
https://upol.academia.edu/EliškaKubartováPoláčková
https://www.arc-humanities.org/9781641894562/medieval-laments-of-the-virgin-mary/

Who can apply?
Young and established researchers interested in the phenomenon of parade or procession as a cultural body-based practice in different historical periods and territories are welcome to participate in the series of three consecutive sessions, presenting their research on the topic and discussing it with the other invited speakers.
Methodological concepts and approaches employed may involve, but are not limited to: emotional communities, animateness, visceral seeing, cognitive empathy, conceptual metaphor, conceptual blending, social acting, management of impression, rite of passage, carnevalism, counterculture.

Proposals submission: Please, send a 250-word abstract and a short bio to eliska.kubartova@upol.cz by February 29, 2024.

Contact

Eliška Kubartová: eliska.kubartova@upol.cz

Curated by Veronika Veselková, Lada Hradilíková, Zuzana Macourková and Viktor Hájek

Unlike the rest of the workshop, the student panel is not focused on any specific topic but focuses on a variety of different themes. Participants will have the opportunity to speak about any topic related to theatre and cultural performance, regardless of the individual thematic strands, highlighting novel theoretical and methodological approaches. The panel aims to create a space in which junior researchers can meet and share their interests, experiences, and points of view. Serving as a platform for students of all academic levels to present and discuss their research, the panel intends to broaden the participants’ horizons, establish new partnerships, and deepen the collaboration among students as well as other researchers.

Participants are expected to create a short 10-minute presentation in any form and a poster which will be available to all attendees of the workshop before the presentation as well as after the event. Presentations will be scheduled into two sections, each of which will be followed by a short discussion and feedback. A consultation about the upcoming edited collective anthology will follow the two presentation blocs. After the main segments, all participants are welcome to continue the discussions in the evening programme.

Contact

Veronika Veselková: veronika.veselkova01@upol.cz